‘Techno, Mama’ is a spectacle on almost every level of filmmaking and a wild ride through the territory of the under-privileged coming of age that feels both painfully familiar and strikingly fresh.
Orizzonti Corti Competition
The whole film consists of longer, dynamic shots in black and white, carefully edited to paint the picture of chaos in detail.
From the opening on, it is clear that Don’t Get Too Comfortable is quite a technical piece of cinema that combines the documentary content with experimental execution.
Orizzonti Corti Competition, 77th Venice Film festival Traditionally, the role of the referee in a football match is to make sure that players are following the rules of the game. That means three things: he has to know all the rules and the good practices of his craft, he always has to be close to […]
The caretaker is having a hellish time, because the building under his supervision is falling apart, as the tenants pay no attention to maintenance.
Every day is the same in the juvenile detention center Hahnöfersand situated on the Elbe river island in Lower Saxony. The time drags so painfully slow that it really feels like…
Right at the beginning of her intimate family portrait Superheroes Without Superpowers the Italian director Beatrice Baldacci contemplates about what makes a person unique
In his third short film Kingdom, Come, Sean Robert Dunn plunges in the realm of disturbing human drives that can destroy the lives of many people with one blow.
Procreating is all in some societies, and the man’s ability to have children is a proof of his unshakeable masculinity. Even a bare possibility that a man might be sterile is practically absent from people’s minds,