Locarno review: Hysterical Fit Of Laughter (2025)
As was the case with their previous feature, one could read social criticism about the state of things in contemporary Serbia
Marko Stojiljković
About Marko Stojiljković
Posts by Marko Stojiljković:
Locarno review: Randaghi (2025)
(…) cheeky and provocative, if not downright nihilistic
Diagonale review: Soldier Monika (2024)
Paul Poet embraces Monika’s contradictions, hoping that she will do so as well.
Diagonale review: Dear Beautiful Beloved (2024)
Rechinsky deals with three aspects of war consequences
Diagonale review: Generations of Images (2025)
“Generations of Images” might be prone to unnecessary repetitions at certain points, but it is never boring
Venice review: Possibility Of A Paradise (2024)
Maybe all we need can be found right in the title: the never-ending search for happiness (…)
Sarajevo review: On The Way (2024)
Just like “Displaced”, “On the Way” also premiered in Cannes (…)
Sarajevo review: Dahomey (2024)
Diop manages to convince us that she is merely a neutral observer.
Locarno Review: Better Not Kill The Groove (2024)
“Better Not Kill The Groove” is certainly an energetic movie.
