Venice review: Possibility Of A Paradise (2024)
Maybe all we need can be found right in the title: the never-ending search for happiness (...)
Open Call - Ermanno Olmi Award
The Prize is addressed to filmmakers of all nationalities and not older than 30 on the date of the submission deadline.
Vienna Shorts opens with a strong speech delivered by its co-directors
Daniel Hadeius-Ebner and Doris Bauer delivered a strong message in their speech at the opening of Vienna Shorts in Gartenbaukino.
Interview with Jaydon Martin: As a filmmaker, I never want to get into that territory of being a moralist
“Flathead” points out at people whose cards were dealt differently than ours.
Cyril Aris: In general, Lebanese people find a lot of humor in tragedies
Everything I knew was gone, and it was so violent that I decided to take the camera and just document.
In talk with the directors of Thorn, André Guiomar and Mya Kaplan: We already had a draft of the story on our first day of work
We understood that our backgrounds were not so dissimilar, and that we had something in common
In conversation with the helmers of Seaguls Cut Through The Sky, Mariana Bártolo and Guillermo García López
Eventually, the precise position of the camera was clear when we had the choreography figured.
Sheffield Doc Fest announces its programme
Sheffield Doc Fest has announced its full programme, Alternate Realities exhibitions, and public Talks for its 30th edition
Venice review: Possibility Of A Paradise (2024)
1
Open Call - Ermanno Olmi Award
2
Vienna Shorts opens with a strong speech delivered by its co-directors
3
Interview with Jaydon Martin: As a filmmaker, I never want to get
4
Cyril Aris: In general, Lebanese people find a lot of humor in
5
In talk with the directors of Thorn, André Guiomar and Mya Kaplan:
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In conversation with the helmers of Seaguls Cut Through The Sky, Mariana
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Sheffield Doc Fest announces its programme
8Interviews
Interview with Jaydon Martin: “As a filmmaker, I never want to get into that territory of being a moralist”
“Flathead” points out at people whose cards were dealt differently than ours.
In talk with Alessia Gasparella & Tom Kiesecoms
The festivals are so far apart that there is no sense of competitivness.
Why shouldn’t we be sharing the resources then, and collaborate?
Documentaries
Sarajevo review: Dahomey (2024)
Diop manages to convince us that she is merely a neutral observer.
Shorts
Sarajevo review: On The Way (2024)
Just like “Displaced”, “On the Way” also premiered in Cannes (…)
Experimental Films
Sarajevo review: Valerija (2023)
In addition to writing and directing the film, Sara Jurinčić also did the animation and the video-art herself.
KVIFF Review: Night Has Come (2024)
“Night Has Come” is a documentary with the dynamics of an intelligently plotted thriller
Locarno Review: The Form (2024)
In its well-paced thirteen-minute runtime, “The Form” shows a micro-universe of dreams shattered by…
Locarno review: Z.O.(2023)
Z.O. is an example of an essay with a masterfully controlled story
Trailers
Viennale reveals the trailer for its 61st edition
Viennale has revealed its trailer for the forthcoming 61th festival edition that will take place between October 19-31 2023
Open Calls
Open Call – Ermanno Olmi Award
The Prize is addressed to filmmakers of all nationalities and not older than 30 on the date of the submission deadline.
