Reflections 17

In Mourning with Minari, Lee talks about the shared space of cinematic light, and asks, “Isn’t that what movies are for? To ...

Cairo International Film Festival unveils dates for it’s 43rd edition

The management of the Cairo International Film Festival has announced that it will hold it’s 43rd edition from Dec 1st to Dec ...

Erika Dilday Announced as the New Executive Director of American Documentary Inc.

In her new position, Dilday will oversee all aspects of AmDocs programs and operations, including production and programming, community engagement and education, ...

Opal H. Bennett Named Co-Producer at American Documentary | POV

Bennett’s new role will build off of her work as the producer of POV Shorts, the public television series dedicated to short-form ...

Reflections 16

'My Uncle Tudor', Berlinale review: The illusion of Consent

From the start, Tudor is depicted with a sense of estrangement: through the veil, out of focus, partly hidden behind another person.

Reflections 15: “This is my story, this is my song, praise in my saviour…”

I am as interested in the work as I am in its affect: Allah is not making films for casual consumption, nor ...

Film still from "Gritt" directed by by Itonje Søimer Guttormsen. Courtesy of IFFR

Reflections 14

One of my favourite things about sitting in cinemas in Rotterdam, awaiting a programme to begin, was the split screen buzz puzzle ...

Reflections 17

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Cairo International Film Festival unveils dates for it’s 43rd edition

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Erika Dilday Announced as the New Executive Director of American Documentary Inc.

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Opal H. Bennett Named Co-Producer at American Documentary | POV

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Reflections 16

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'My Uncle Tudor', Berlinale review: The illusion of Consent

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Reflections 15: “This is my story, this is my song, praise in

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Film still from "Gritt" directed by by Itonje Søimer Guttormsen. Courtesy of IFFR

Reflections 14

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Interviews

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Interview: Eydís Eir Brynju-Björnsdóttir, the director of Islandia (2018)

Eydís Eir Brynju-Björnsdóttir studied directing and script writing at the Icelandic Film School, and has gathered experience in the film production. With her debut short film Islandia, a very personal take on her own traumatic experience, she steered controversy in her home country by openly addressing the sensitive topic of rape…

Documentaries

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Review: Motorcity (2021)

‘Motorcity’ is a guerrilla-style documentary that expresses the ambition to show the panoramic view of the culture in all of its diversity and significance to the once glorious, now rundown place.

Shorts

Blondie

Blondie: Vivir En La Habana (2019)

Rob Roth’s ‘Vivir En La Habana’ represents an 18-minute, Super 8-style video document of the legendary band’s historic trip, featuring voiceover input from vocalist Debbie Harry, drummer Clem Burke and guitarist Chris Stein.

Experimental Films

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Review: Transparent, I am (2020)

While the realities that the film deal with are harsh and often painful, with Muraoka indulging in a self-reflection that is often brutally raw, this final line does reveal the vein of hope that this film ultimately offers.

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Review: Notes from the Underworld (2020)

‘Notes from the Underworld’ is not a documentary about the underworld itself and about the events that should be substantiated in hard facts, but a film about the past and different lives bygone.

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Review: Parallel 28 (2021)

Santiago Bonilla opens his short documentary ‘Parallel 28’ with almost abstract images of white textures that could pass as mountains covered by snow or the sea foam driven by waves…

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Cool Moves: Minotaur (2020)

Minotaur is a film which evacuates your possible knowledge of it. There are moments, places … but where, when, under what circumstance? It’s best not to read anything about this work before watching it.

Trailers

Open Calls

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