Locarno review: Boa (2025)
“Boa” could be seen as disturbing on several levels, but the disturbance it brings is never wrong.
Marko Stojiljković
About Marko Stojiljković
Posts by Marko Stojiljković:
Locarno review: Hysterical Fit Of Laughter (2025)
As was the case with their previous feature, one could read social criticism about the state of things in contemporary Serbia
Locarno review: Randaghi (2025)
(…) cheeky and provocative, if not downright nihilistic
Diagonale review: Soldier Monika (2024)
Paul Poet embraces Monika’s contradictions, hoping that she will do so as well.
Diagonale review: Dear Beautiful Beloved (2024)
Rechinsky deals with three aspects of war consequences
Diagonale review: Generations of Images (2025)
“Generations of Images” might be prone to unnecessary repetitions at certain points, but it is never boring
Venice review: Possibility Of A Paradise (2024)
Maybe all we need can be found right in the title: the never-ending search for happiness (…)
Sarajevo review: On The Way (2024)
Just like “Displaced”, “On the Way” also premiered in Cannes (…)
Sarajevo review: Dahomey (2024)
Diop manages to convince us that she is merely a neutral observer.
