Barbara Paz: “Everything was born from the theater of the artists without a stage”
We all sacrifice ourselves at some point in life, and to give up life will undoubtedly lead us to the purgatory, and to the end time.
Marina D. Richter
About Marina D. Richter
Posts by Marina D. Richter:
Manlio Gomarasca: “Joe D’Amato was a one-man show”
Italian helmer Manlio Gomarasca dedicated his life to the genre cinema not just as the founder and editor-in-chief of the publication ‘Noturno Cinema’, but also as the festival advisor, programmer, curator and the author of books such as The little film library of horrors and Dario Argento: the image of fear. After ten shorts and […]
Review: Bosnian Broadway (2021)
Jasmina Beširević’ short documentary ‘Bosnian Broadway’ is a portrait of the young generation of artists who are aware of their tiny spot in the world of entertainment, despite of great talent and hard work.
Review: Every Sunday (2020)
There was a sense of embarassement and shock in Cypress back in 2019, when the local activist Maria Mapporidou had to point out the obvious both to the public and the authorities – there was a serial killer on the island who targeted foreign female domestic workers
Rok Biček: “The football field always represents the world in a micro-cosmos”
I never thought that I would have a problem to get the finances for my next film in Slovenia, especially after the success of Class Enemy (Fedeora Award of Critics Week in Venice 2013) and The Family (Grand Prix at Locarno Critic’s Week in 2017)
Interview with Špela Čadež: “You challenge yourself by trying something for weeks, and then it suddenly opens up”
Domestic abuse is a very important subject to talk about. Even if we started making the film before all these lockdowns, the topic has become more important to address over the past year and a half.
Nicolaas Schmidt: “In First Time, the negotiated subject is at the same time the method of work”
The film refers to an everyday experience: inwardness and minimal „privacy“ amid public space by simply putting on headphones with music.
Diana Cam Van Nguyen: “We had to invent something different”
My father knew that I was making a film about him, but he was only aware of the letters and my original idea
Manolis Mavris: “Even the queen is powerless in the context of the beehive”
In its core “Brutalia, The Days of Labor” is about the solitude, and about how individuals’ identity is sacrificed for the sake of the common good.
