Review: Sunless Shadows (2019)
Most of the stories are heart-breaking and sobering in pointing at the lack of any kind of support for victims of violence, leaving the Iranian women with endurance as the only option.
DOK.fest Munich
Review: Speak So I Could See You (2019)
As a project, ‘Speak So I Could See You’ was developed over the course of years, and the richly textured, layered, top-quality work shows.
Review: The Self Portrait (2020)
Lene Marie’s special place was Chios, Greece, where she did some of her best work, including the collection of self-portraits in an abandoned health facility that lead her to fame. In those photos, she exposed her fragility, vulnerability and the pain of the everyday life, with the striking contrasts highlighting the skin, the eyes and the bones, which was everything she had left from her body.
Review: Midnight Family (2019)
In his second feature-length documentary Midnight Family, the American filmmaker of the young generation Luke Lorentzen takes us to the streets of Mexico City where the Ochoa family that operates an ambulance.
