Vilnius review: Ootid (2024)
The unsaid and unseen steer the story in this minimalist yet wonderfully accomplished drama
Marina D. Richter
About Marina D. Richter
Posts by Marina D. Richter:
TIFF Review: Quota (2024)
“Quota” is a charmingly dark animation
Locarno Review: The Form (2024)
In its well-paced thirteen-minute runtime, “The Form” shows a micro-universe of dreams shattered by…
Locarno review: Maman Danse (2024)
Mégane Brügger’s sophomore short is a tender, emotional exploration of a deep-running family trauma
Locarno Review: Punter (2024)
“Punter” is a film of profound intelligence, crafted with love
Locarno Review: 400 Cassettes (2024)
“400 Cassettes” is clever, warm and heartbreaking at the same time
Locarno Review: WaShhh (2024)
“WaShhh” is a great commentary on gender inequality
Locarno Review: Upshot (2024)
With the story set in the future, the film concentrates on a terrible loss caused by the conflict without delivering political commentaries.
Locarno review: Tinderboys (2024)
Original, well-paced and excellently executed, “Tinderboys” is one of the most delicious entries in this year’s Pardi di Domani selection…
