Review: Young Plato (2021)
Break the cycle. Think for yourself. By introducing philosophical debate, McArevey and his staff are hoping to stop this vicious continuation of sectarian conflict.
Susanne Gottlieb
About Susanne Gottlieb
Posts by Susanne Gottlieb:
Review: The Shadow (2019)
Is a motherly sin to blame for the evil possession of a young boy? Director Nayla Al Khaja, who holds the historic position of being the first female director-producer in her native United Arabic Emirates, peppers this initial question with influences from her own life.
Review: Live Forever (2020)
The final product is nothing less than an exhilarating, perky musical love letter to the victims of horror movies. The by the number by-goners, the red shirts of their genre.
Melies d’Argent Short Film Selection Review
With this year’s selection of Melies d’Argent shorts, Grossmann has mastered to mostly pick a selection of shorts that broaden the given genre conventions or at least pay homage to them. From stylish eye candy to entertaining reimaginations, there is a spark of whiz and originality in these shorts…
Slak’s Vicious Cat Short Films
Expect the unexpected. In many ways, Grossmann’s selection of shorts defies the laid-out narrative or utilizes it to translate it into stunning visualizations. There is more to the formula that can be found repeatedly in full-length features but should be reexamined whenever the chance presents itself.
Men and Society
Men destroy what they create. As we have built our society over millennia, we tend to tear them down when they are no longer serve our interests.
Review: Snowflakes (2019)
Infringing on people’s rights, making them unjust subjects – these are not only the tunes of modern-day immigration law, but they also wind their way repeatedly through the scriptures of the old testament.
Review: Nemesis (2020)
The title eponymous goddess, Nemesis, whose roots lie in Greek mythology, only comes into play at a later point in time.
Review: Amor Fati (2020)
Varejão’s observations are rooted in a world that on the one hand is grounded in its day-to-day realities, on the other carries itself with an allusion to poetic otherworldly landscapes.
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