Review: The Peephole (2018), by Enrique Manzo Escamilla
A young man’s (Sidney Robote) slumber on the couch in front of the TV gets interrupted by a woman’s cries for help.
September 2019
Review: Savegame (2018), by Diana Kaiser
Living in a second skin in the world of gaming is the core of Diana Kaiser’s directorial debut Savegame that provides the viewer with the privilege of a personal interpretation of what’s the Earthly- and what the virtual life.
Review: Life As a B-Movie: Piero Vivarelli (2019) Fabrizio Laurenti, Niccolò Vivarelli
Filmmakers Fabrizio Laurenti and Niccolò Vivarelli have created a vibrant and entertaining documentary which is as colourful as Piero Vivarelli’s life.
Review: Hail Satan? (2019) by Penny Lane
That there is no one who’s actually practicing virgin-sacrificing on graveyards under the light of candles arranged to form a pentagram, doesn’t really matter. Such picture is present in the minds of state-, church- and media gurus who imprint it to hearts and minds of …
Review: After Two Hours, Ten Minutes Had Passed (2019), by Steffen Goldkamp
Every day is the same in the juvenile detention center Hahnöfersand situated on the Elbe river island in Lower Saxony. The time drags so painfully slow that it really feels like…
Review: Superheroes Without Superpowers (2019), by Beatrice Baldacci
Right at the beginning of her intimate family portrait Superheroes Without Superpowers the Italian director Beatrice Baldacci contemplates about what makes a person unique
Review: Kingdom, Come (2019), by Sean Robert Dunn
In his third short film Kingdom, Come, Sean Robert Dunn plunges in the realm of disturbing human drives that can destroy the lives of many people with one blow.
Review: Give Up the Ghost (2019), by Zain Duraie
Procreating is all in some societies, and the man’s ability to have children is a proof of his unshakeable masculinity. Even a bare possibility that a man might be sterile is practically absent from people’s minds,
