Open Call - Ermanno Olmi Award

The Prize is addressed to filmmakers of all nationalities and not older than 30 on the date of the submission deadline.

Vienna Shorts opens with a strong speech delivered by its co-directors

Daniel Hadeius-Ebner and Doris Bauer delivered a strong message in their speech at the opening of Vienna Shorts in Gartenbaukino.

Interview with Jaydon Martin: As a filmmaker, I never want to get into that territory of being a moralist

“Flathead” points out at people whose cards were dealt differently than ours.

Cyril Aris: In general, Lebanese people find a lot of humor in tragedies

Everything I knew was gone, and it was so violent that I decided to take the camera and just document.

In talk with the directors of Thorn, André Guiomar and Mya Kaplan: We already had a draft of the story on our first day of work

We understood that our backgrounds were not so dissimilar, and that we had something in common

In conversation with the helmers of Seaguls Cut Through The Sky, Mariana Bártolo and Guillermo García López

Eventually, the precise position of the camera was clear when we had the choreography figured.

Sheffield Doc Fest announces its programme

Sheffield Doc Fest has announced its full programme, Alternate Realities exhibitions, and public Talks for its 30th edition

Book review: 'Scratches and Glitches: Observations on Preserving and Exhibiting Cinema in the Early 21st Century' by Jurij Meden (Austrian Filmmuseum, 2021)

The most wonderful thing about this book is its merry and entirely deliberate level of self-contradiction.

Open Call - Ermanno Olmi Award

1

Vienna Shorts opens with a strong speech delivered by its co-directors

2

Interview with Jaydon Martin: As a filmmaker, I never want to get

3

Cyril Aris: In general, Lebanese people find a lot of humor in

4

In talk with the directors of Thorn, André Guiomar and Mya Kaplan:

5

In conversation with the helmers of Seaguls Cut Through The Sky, Mariana

6

Sheffield Doc Fest announces its programme

7

Book review: 'Scratches and Glitches: Observations on Preserving and Exhibiting Cinema in

8

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