As the great Alejandro Jodorowsky pointed out in his comeback autobiographic feature film The Dance of Reality (2013), the things we take for granted and fixed are actually quite fluid and the moves within them are more like dance than an easily measurable regular movement.
When two best friends undress at one point in front of everyone to go for a swim in the lake, Olle is not aware of the impact his little performance will leave on one of the guests.
Gregersen manages to mix a couple of genres, most notably the morality play and the dry Scandinavian comedy and to pack them in a nail-biter of a short film.
The first batch of films in the national competition of the Uppsala International Short Film Festival, happening physically and online as well this year, was marked by the inter- and intrapersonal human relationships.
Life tends to go in cycles for Matias Idas, played by Johan Widerberg, the hero of Jakob Marky’s short film Midas.
The love story in Simmer is painted in believable colours, with only few moments of actual physical closeness including a heart-racing sex scene that doesn’t become completely explicit, but grows into a declaration of true love.
The three curated films offer female-centric views of the world and are full of imagination and ultimately love.
A group of drag artists is getting ready for the show. The men are applying their make-up and having casual conversations with one another.
An anthropomorphic steam train runs on its legs as fast as it can over the tracks, until it suddenly falls into a pool of oil
