Manolis Mavris: “Even the queen is powerless in the context of the beehive”
In its core “Brutalia, The Days of Labor” is about the solitude, and about how individuals’ identity is sacrificed for the sake of the common good.
July 2021
High-Kick the Holy Tabarnakle
“N.U.N.S. with Nunchucks” is a film that features all the things you love to hate, and all the things you hate to love.
Cannes review: Through The Haze (2020)
While we’re given narrative hints of what’s going on, there’s a deliberate lack of cohesion. With no dialogue, we’re given snippets of incidents.
Cannes review: Absence (2021)
‘Absence’ is a type of film that will click with the audience regardless of their geographical background.
Cannes review: The Right Words (2021)
Every kid’s worst nightmare is having their secrets exposed live on social networks in cheerful mockery…
Cannes review: August Sky (2020)
The film never seems a paean to organised religion, more of an exploration as to why humans need something to grasp on to in a world which seems increasingly chaotic
Cannes review: North Pole (2021)
Marija Apchevksa’s drama ‘North Pole’ is a film that brings out the memories of the coming-of-age hell.
Cannes review: Sideral (2021)
In Natal, on the Brazilian coast, the country’s first manned space rocket is preparing to launch.
Cannes review: Anxious Body (2021)
Mizuhiri’s charmingly constructed world of inner search for answers about our immediate environment is full of shapes and misshapes.
