Venice review: Tria (2022)
Giulia Grandinetti’s ‘Tria’ presents itself as a missing link between Kusturica’s blend of magic realism and the dystopian side of the Greek Weird Wave
September 2022
Venice review: Godard seul le cinéma (2022)
‘Godard seul le cinéma’ is so busy to praise Godard the genius, that we barely get an idea of where his cinema sits within a larger context.
Venice review: The Kiev Trial (2022)
‘The Kiev Trial’ is at once a lesson from the past and a dispatch from the future.
