Sarajevo review: Dahomey (2024)
Diop manages to convince us that she is merely a neutral observer.
August 2024
Locarno Review: Better Not Kill The Groove (2024)
“Better Not Kill The Groove” is certainly an energetic movie.
Locarno Review: Gender Reveal (2024)
A fiery and sanguinary denouement offers the identity movement a very inconvenient type of redemption.
Locarno Review: Days Before The Death Of Nicky (2024)
The presence behind the wheel can be lonely
Locarno Review: The Form (2024)
In its well-paced thirteen-minute runtime, “The Form” shows a micro-universe of dreams shattered by…
Locarno Review: A Son And A Father (2024)
The amount of material in “A Son & a Father” would suffice even for a feature film
Locarno review: Maman Danse (2024)
Mégane Brügger’s sophomore short is a tender, emotional exploration of a deep-running family trauma
Locarno Review: Punter (2024)
“Punter” is a film of profound intelligence, crafted with love
Locarno Review: Mother Is A Natural Sinner (2024)
“Mother Is a Natural Sinner” is the most faithful to the title of all three films in the cycle
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