Berlinale review: Intercepted (2024) by Oksana Karpovych
This is one of the most important documents of Russia’s imperialist warmongering.
Berlinale Forum
Review: A River Runs, Turns, Erases, Replaces (2021)
At first, there is no river. Heck, there is no sound either. All we get to see is a surveillance-type of camera footage, observing one of the downtown streets.
Berlinale review: Jack’s Ride (2021)
Part road movie, part character portrait, Jack’s Ride depends a great deal on the quiet charisma of its subject.
Review: Tobacco Embers (1982)
The topic of the film is the status of the predominantly female workers in the tobacco industry in the town of Nipani.
Review: Corporate Accountability (2020)
Perel’s tone is not unemotional, but it can be considered a bit flat, which is in accordance with the factual tone of the book: it mainly consists of pure facts devoid of any kind of personal interpretation.
Zeus Machine: The Invincible (2019)
Like most experimental collage films, Zeus Machine is an uneven patchwork. Some sections feel too slight and open-ended, others overly cryptic and wilfully obscure.
