Cyril Aris: “In general, Lebanese people find a lot of humor in tragedies”
Everything I knew was gone, and it was so violent that I decided to take the camera and just document.
Karlovy Vary
Emilie Brisavoine: “I was switching between Emilie the director, and Emilie the person”
We usually think of the family as a place of love and security, but (…)
Alexandru Solomon: “We are fooled into believing that the 20th century history was interrupted by some major cuts”
There was always a continuity between the power and the Church (…)
Review: Arsenie. An Amazing Afterlife (2023)
Curious to understand the popularity of a priest who, despite of a life full of controversy, became a cult figure…
Karlovy Vary review: Lynch/ Oz (2022)
Both deep and wide in its scope, masterfully composed, whip-smart, perceptive and nurturing to every cinephile, ‘Lynch/Oz’ can sometimes feel overwhelming, and even a bit too much (…)
Karlovy Vary review: Another Spring (2022)
Neither Kovačević nor Radovanović preach in ‘Another Spring’, but having Radovanović, an open and vocal critic of the current Serbian régime and the way it handled the pandemic, is certainly a political statement.
Karlovy Vary review: My Love Affair With Marriage (2022)
‘My Love Affair with Marriage’ is an animated film aimed at adult audiences, interestingly envisioned and told well enough to keep us occupied almost until the very end.
Karlovy Vary review: Mariuopolis 2 (2022)
‘Mariupolis 2’ might nor be the strongest testament of Kvaderavičius’ filmmaking, but it is a testament of his humanity and the strength of his belief in his mission, and it also is a devastating testimony of the dark times we live in.
