Locarno review: Blind ins Auge (2025)
The directors use authentic footage from the violent events to reconstruct narratives
Pardi di Domani
Locarno review: L’avant poste 21 (2025)
Camille Surdez strikes the right note.
Locarno review: Eldorado (2025)
Construction worker doubles down as a tailor at night, in this red-tinged short movie about costumes, power and lust
Locarno review: Once in A Body (2025)
Actress Sara Isabella Martínez Rey delicately voices the protagonist’s complicated relationship with her sister
Locarno review: Boa (2025)
“Boa” could be seen as disturbing on several levels, but the disturbance it brings is never wrong.
Locarno review: Hysterical Fit Of Laughter (2025)
As was the case with their previous feature, one could read social criticism about the state of things in contemporary Serbia
Locarno review: Randaghi (2025)
(…) cheeky and provocative, if not downright nihilistic
Locarno Review: Better Not Kill The Groove (2024)
“Better Not Kill The Groove” is certainly an energetic movie.
Locarno Review: Gender Reveal (2024)
A fiery and sanguinary denouement offers the identity movement a very inconvenient type of redemption.
