Review: Bussi, Baba (2020)
Bahare Ruch’s autobiographical documentary Bussi, Baba that currently plays at the Shortfish competition of Stockfish deals with her growing up in the midst of her parents’ divorce.
Marko Stojiljković
About Marko Stojiljković
Posts by Marko Stojiljković:
Review: Blindsided (2021)
Plot-wise, Blindsided walks on the fairly familiar territory, but Bjarnason is a competent storyteller to make it interesting.
Review: Dalia (2020)
Ólason embraces the clichés of the festival-friendly Icelandic cinema in order to tell the ages old story of fatherhood and turns them into the film’s strength.
Review: Spaghetti (Loosely Based on a True Story) (2021)
If you think you are having a bad day, remember that someone else is probably having even a worse one.
Review: Monday (2020)
Monday seems like an ambitiously constructed film, especially for a short, but ends up resembling an exercise in style when it comes to the “hyperlink” filmmaking.
Review: Kitchen by Measure (2020)
The story itself is fun enough to follow and keeps the viewer in the light laugh-ready mood for all of the film’s 13 minutes of runtime by playing with our expectations.
Review: Island Living (2020)
No man is an island, but the life in a broken home in a small coastal town is a pretty solitary experience for the twelve-year-old Bragi.
Review: Look at Me (2020)
Look at Me is a hyperlinked triptych of short film stories revolving around the same characters and their brief connection at a subway station in New York.
Review: Jobs for All! (2021)
‘Jobs for All!’ is not a simple work of chronology or plot-driven storytelling in order to pass the message.
