Review: Midnight Family (2019)
In his second feature-length documentary Midnight Family, the American filmmaker of the young generation Luke Lorentzen takes us to the streets of Mexico City where the Ochoa family that operates an ambulance.
Marko Stojiljković
About Marko Stojiljković
Posts by Marko Stojiljković:
Review: Two Bodies on a Beach (2019)
At first, there are not two bodies on the beach. There is just one, a body of a young woman (Laura Birn) in underwear, fishnet stockings and high heels wrapped up in nylon, suggesting that she is a femicide victim.
Review: Smiles (2019)
The basic story might be a bit of a template, but Chavanel does his best to elevate it into something completely organic, insightful and shocking towards the end
Review: Moment (2019)
Geoffrey Uloth’s Moment is a bit of a phenomenon in the terms of success on the festivals nationally (Fantasia, Toronto After Dark) and internationally (BIFFF, SPIFF) with a tally of dozens of awards and nominations.
Review: Mannequins (2020)
As the title suggests, the film takes place in a boutique, but the viewer should not expect some “haute couture”.
Review: Plainsong (2019)
Shown at Little Nightmares sidebar of HÖFF, Alexis Fortier-Gauthier’s exquisite short film Plainsong could cause some serious nightmares.
Fantaspoa at Home (International Competition)
Fantaspoa was supposed to take place in its physical form in Porto Alegre, Brazil right about now,…
Review: The Haunted Swordsman (2019)
The only bad thing about The Haunted Swordsman is that it makes the viewer crave for more. It is destined to be a huge hit
Review: Intrusion (2020)
It does not seem that way, but home invasion as a pretext works better in a feature-length format than it does in short. The key difference is character development – the trope does not need that many characters
