Sarajevo review: Atonal Glow (2021)
Private video footage and the boy’s videos shot on the cell phone stand in contrast with Koridze’s sober, yet gentle eye
August 2022
Sarajevo review: Diary of a Bride of Christ (2022)
‘Diary of a Bride of Christ’ is an interesting, although a bit naive take on nuns and their views
Review: No Place For You in Our Town (2022)
The now and then share one thing in common – a sinister, depressing look of a place that went through different stages of industrialization, eating away the health and joy of its inhabitants.
Locarno review: Hardly Working (2022)
Featuring acute narration by Jacob Banigan, which occasionally dips into didacticism, ‘Hardly Working’ argues that capitalism has no end-goal.
Locarno review: Money and Happiness (2022)
Ana Nedeljković and Nikola Majdak Jr. return to the topic of the individuality loss and repetetivness in life previously explored in …
Locarno review: Diamond Kid (2022)
‘Diamond Kid’ is a meditation on human urge to control, or readiness to be controlled
Locarno review: That’s How the Summer Ended (2022)
A joy for one person can be a pain for the other.
Locarno review: Air Hostess-737 (2022)
Traditionally good in storyline suspense building, the Greek director Thanasis Neofotistos is back on the festival scene with his dramedy ‘AirHostess-737’, which screenes in Locarno’s Pardi di Domani international competition program.
Locarno review: Fairplay (2022)
‘Fairplay’ is a complexly envisioned mosaic film that proves the point in an extremely audience-friendly package blending thriller, drama and social satire.
