Sarajevo review: 5PM Seaside (2022)
…with a story that reveals itself slowly and never to the full, the actors have a complex task of dosing the emotions of their characters…
Diagonale
Review: Hollywood (2022)
When is the right time to give up on our dreams, face the music and accept our fate?
Review: Space Dogs (2019)
Little, if anything at all was known until some 18 years ago, about the actual destiny of the first space dog, Laika.
Review: Robolove (2019)
The title Robolove is misleading both regarding an instant association to a well-established fetish focusing on sex dolls and sex robots, or as scientific enthusiasm for robotics.
Review: The Royal Train (2020)
The train and the efforts of the descendants of former rulers are the central topic of Johannes Holzhausen’s documentary The Royal Train.
Review: Mind the Gap (2019)
It is not a mystery any more, if it ever was, that the rise of populism in Europe is rooted not only in the political processes, but also, even predominantly, in the economic ones.
Ronit Kertsner: When I saw the suffering of the refugees, I had to do something
Ronit Kertsner’s 6th feature-length documentary Refugee Lullaby which world-premiered in Graz at the Diagonale, is an intimate portrait or Hans Breuer who became famous as “the Austrian sheperd who drives refugees across borer to safety” (Patrick Kingsley for The Guardian) and his attempts to help as many people as possible on their hellish way to […]
Review: A Millionaire’s Melancholy (2018), by Carsten Pfaundler
There is something quite irresistible in the introductory information that „Cinema Povero“ presents „A Millionaire’s Melancholy”
Review: Movements of a Nearby Mountain (2019), by Sebastian Brameshuber
Austrian filmmaker Sebastian Brameshuber has made a name for himself directing observational documentaries and shorts in a specific manner that makes his films more real than reality, and stranger than fiction
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