Locarno review: Goats (2025)
Gaćina uses the aesthetics of the long shots from a distance to set the stage
Pardi di Domani
Locarno review: I’m Not Sure (2025)
The helmer’s detached, impersonal tone finds itself in contrast with the deeply subjective experience
Locarno review: Lost Touch (2025)
Past, present and future collide and, for a fleeting moment, become one.
Locarno review: Blind ins Auge (2025)
The directors use authentic footage from the violent events to reconstruct narratives
Locarno review: L’avant poste 21 (2025)
Camille Surdez strikes the right note.
Locarno review: Eldorado (2025)
Construction worker doubles down as a tailor at night, in this red-tinged short movie about costumes, power and lust
Locarno review: Once in A Body (2025)
Actress Sara Isabella Martínez Rey delicately voices the protagonist’s complicated relationship with her sister
Locarno review: Boa (2025)
“Boa” could be seen as disturbing on several levels, but the disturbance it brings is never wrong.
Locarno review: Hysterical Fit Of Laughter (2025)
As was the case with their previous feature, one could read social criticism about the state of things in contemporary Serbia
