Locarno review: The Uniformed (2025)
“The Uniformed” serves as a portrait of both a massive, rigid system and an individual who found himself inside it.
Marko Stojiljković
About Marko Stojiljković
Posts by Marko Stojiljković:
Locarno review: Slet 1988 (2025)
“Slet 1988” is a work of cinematic art where archival and newly filmed footage blend…
Locarno review: Goats (2025)
Gaćina uses the aesthetics of the long shots from a distance to set the stage
Locarno review: Boa (2025)
“Boa” could be seen as disturbing on several levels, but the disturbance it brings is never wrong.
Locarno review: Hysterical Fit Of Laughter (2025)
As was the case with their previous feature, one could read social criticism about the state of things in contemporary Serbia
Locarno review: Randaghi (2025)
(…) cheeky and provocative, if not downright nihilistic
Diagonale review: Soldier Monika (2024)
Paul Poet embraces Monika’s contradictions, hoping that she will do so as well.
Diagonale review: Dear Beautiful Beloved (2024)
Rechinsky deals with three aspects of war consequences
Diagonale review: Generations of Images (2025)
“Generations of Images” might be prone to unnecessary repetitions at certain points, but it is never boring
