Review: The Mechanical Dancer (2021)
‘The Mechanical Dancer’ faces the biggest problem when its retro look gets contrasted by the crisp quality of the digital animation.
Marko Stojiljković
About Marko Stojiljković
Posts by Marko Stojiljković:
Review: Breaches (2021)
Breaches focuses on insufficient measures to do something about the domestic abuse, such as the inefficient restraining orders and the technology possible to hack or fool
Review: Utuqaq (2021)
‘Utuqaq’ is far from a groundbreaking documentary about the climate change, but it does what its director promises – it tells a planetary story of the Arctic with its magnificent landscapes almost completely empty of people.
Review: Coffee & Sugar (2021)
As a viewing experience, Coffee & Sugar is genuinely heart-warming.
Review: Nuevo Rico (2021)
Success comes with a steep price to pay and it is a part of the universal human knowledge.
Review: Ghost Dogs (2021)
Ghost Dogs is a film that banks on its spooky atmosphere and deft visual storytelling with hardly any dialogue involved.
Review: Little Girl (2020)
Aided by the beautiful, evocative cinematography by his frequent collaborator Paul Guilhaume and by the seamless editing by Pauline Gaillard, Lifshitz manages to tell the story in a heart-felt way with a complete lack of sensationalism and didactic.
Review: Limousine (2021)
Saulé Bliuvaité’s short documentary titled Limousine that has just premiered at the national short competition of Vilnius International Film Festival – Kino Pavasaris is an attempt to catch a spirit of limo-riding in a compact, 15-minute format.
Review: Crip Camp: A Disability Revolution (2020)
The difference between Crip Camp and a regular inspirational documentary is the lack of manipulation and pulling the heart-strings in an obvious, almost exploitative fashion.
