Review: Midas. (2020)
Life tends to go in cycles for Matias Idas, played by Johan Widerberg, the hero of Jakob Marky’s short film Midas.
Marko Stojiljković
About Marko Stojiljković
Posts by Marko Stojiljković:
Review: Mother’s (2019)
A group of drag artists is getting ready for the show. The men are applying their make-up and having casual conversations with one another.
Review: Locomotor (2019)
An anthropomorphic steam train runs on its legs as fast as it can over the tracks, until it suddenly falls into a pool of oil
Review: Black and White Colours (2019)
Black and White Colours deftly defies the genre borders, fluidly balancing between the comedy, drama and horror. Golub’s sense of style is inch-perfect, channelling that of a 70s television with 4:3 aspect ratio and highly saturated colours.
Review: Smile (2019)
Francisco Fernández Andrew’s Smile that has just competed at Ca’Foscari Short Film Festival is a comedy blended with different sub-genres of crime-, action-, and thriller movies.
Review: The Antidote (2019)
Xiuzhen has to make a difficult choice whether to tamper with priority lists and endanger someone else’s life so she could save her daughter’s…
Review: Adam (2019)
The writer/director Shoki Lin aims, rightfully so, at contrasts between the worlds of the children and the adults. The feeling is amplified by characterizing Adam as a quiet boy in a busy, loud city like Singapore, which is highlighted by a sound scheme full of city murmur.
Review: Bitter Herb (2019)
Ornaf opens way too many topics to explore over the course of the runtime, making the whole film cryptic and oddly muted in communicating its significance to the audience.
Review: Have a Nice Dog! (2020)
Maghout and his small team have created the uniquely unpleasant feeling of being lost and suffering without even a notch of exploitation of their characters.
