Review: Come Together (2020)
Some of the romances that have inspired the works of art started with a single look that was enough to light the spark in the poet’s heart.
Marko Stojiljković
About Marko Stojiljković
Posts by Marko Stojiljković:
Review: White Christmas (2020)
For a filmmaker who profited greatly from creating the manic feeling, Lukić does equally well with the low-key depression.
Review: Marana (2020)
Benini and Provolo’s camera always stays close to the “action”, usually revolving around the protagonist of the scene, the person the directors singled out for some specific event
Review: Faceless (2020)
No matter how the political mainstream in Croatia wants to control the narrative about the country’s first and war-time president Franjo Tuđman as the “father of the nation”, he remains the controversial figure that, like a skeleton, jumps out of the closet around the elections time.
Review: Storkman (2020)
First we meet our human protagonist, an ageing widower named Stjepan whose hobby is saving the wounded birds. Then we meet his “pet” stork that he saved during the 90s war
Review: That Other Village (2020)
The film had its world premiere at the competition of Liburnia Film Festival, where it was awarded the Special Jury Mention.
Review: Why Is Mom Always Crying (2019)
There are two things that are significant for Obrdalj’s film: lyricism and the feeling of authenticity.
Review: The Game (2020)
Orizzonti Corti Competition, 77th Venice Film festival Traditionally, the role of the referee in a football match is to make sure that players are following the rules of the game. That means three things: he has to know all the rules and the good practices of his craft, he always has to be close to […]
Review: The Return of Tragedy (2020)
The Return of Tragedy is, basically, an ode to the genre filmmaking of the past, with a special twist towards the trash spectre of it.
