Review: The Undertaker (2018)
The Undertaker is a filmed choreographed performance on the streets of Philadelphia, in Fairmount Park and in the historical Laurel Hill Cemetery and it serves as a strong anti-war statement.
Marko Stojiljković
About Marko Stojiljković
Posts by Marko Stojiljković:
Review: Stop Nineteen (2020)
Stop Nineteen is a stellar example of a clear and simple (but not simplified at all) approach serving its purpose to perfection in a very compact format of just over 8 minutes.
Review: Funfair (2019)
For his new film, Funfair, currently reaping awards on the festival circuit, Mazaheri has once again joined forces with his Retouche star Sonia Sanjari in order to tackle….
Influence (2020)
Neille and Poplak’s plot deftly jumps between the different locations and timelines, creating the feeling of a nauseating roller coaster ride through the reality of the post-truth world, where a created narrative directs the reality and not the other way around.
Review: Flint (2020)
Detailed and chronologically clear in its scope, Flint could be sub-titled “Anatomy of a Sh*tstorm”.
Review: Aswang (2019)
All things considered, Aswang is a solid debut and a film with its heart at the right place that could do well at the human rights type of the film festivals.
Review: The Verdict in the Case of K. (2020)
The Verdict… has several strong points, such as portraying of the often neglected milieu of the Viennese Turkish community, their mechanisms of co-operation in the world that they often experience as foreign.
Review: For the Living (2019)
Fonsny’s film, dedicated to Adami and other immigrant victims of the Belgian police brutality, is a deft and coherent composition of its elements
Review: White Eye (2019)
Is a stolen bicycle that propels the story of the injustice in society and offers some much needed reflection to the characters and the viewers a gimmick, an homage to Vittorio de Sica’s seminal film, or an eternal metaphor?
