Diagonale review: Girls & Gods (2025)
There are way too many sous-chefs in Inna Shevchenko’s busy kitchen.
There are way too many sous-chefs in Inna Shevchenko’s busy kitchen.
“Our Time Will Come” is an unpolished and honest documentary.
Paul Poet embraces Monika’s contradictions, hoping that she will do so as well.
Rechinsky deals with three aspects of war consequences
A warm but uninventive account of what it means to be a mother
“Generations of Images” might be prone to unnecessary repetitions at certain points, but it is never boring
Diop manages to convince us that she is merely a neutral observer.
Problems can be found on the narrative level, but not in the most common places…
“Night Has Come” is a documentary with the dynamics of an intelligently plotted thriller
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