Sarajevo review: Dahomey (2024)
Diop manages to convince us that she is merely a neutral observer.
Documentaries
KVIFF Review: Gasoline Rainbow (2023)
Problems can be found on the narrative level, but not in the most common places…
KVIFF Review: Night Has Come (2024)
“Night Has Come” is a documentary with the dynamics of an intelligently plotted thriller
Review: My Room (2024)
“My Room” is a type of documentary that keeps the interest burning
Berlinale review: Intercepted (2024) by Oksana Karpovych
This is one of the most important documents of Russia’s imperialist warmongering.
Berlinale review: Favoriten (2024) by Ruth Beckermann
“Favoriten” is a firework of shiny ideas and optimism, with great chances of conquering the world.
Review: The Light (2023) by
What is still considered as Denmark’s largest artwork consisted of a laser light line that streched along the Jytland west coast
Sarajevo review: Bottlemen (2023)
“Bottlemen” is playful, engaging and emotionally charged.
Sarajevo review: Pero (2023)
“Pero” is an instant classic that serves as an evidence of how hardship can nurture creativity.
