Peter Tscherkassky’s layered cinema of experimentation
Palić European Film Festival honors Peter Tscherkassky, recipient of the Underground Spirit Award, with a retrospective
Experimental Films
Sarajevo review: Valerija (2023)
In addition to writing and directing the film, Sara Jurinčić also did the animation and the video-art herself.
Locarno review: Z.O.(2023)
Z.O. is an example of an essay with a masterfully controlled story
Locarno review: The Currency – Sensing #1 Agbogbloshie (2023)
There is something spiritual, as Elom 20ce hums along to the melodies created by the devices.
Dresden review: Municipal Relaxation Module (2022)
Ken thinks that benches uninspiredly put in parks, on playgrounds and along esplanades serve no logical purpose
Review: Don’t Get Too Comfortable (2021)
From the opening on, it is clear that Don’t Get Too Comfortable is quite a technical piece of cinema that combines the documentary content with experimental execution.
Review: Caricaturana (2021)
With ‘Caricaturana’ the prolific Radu Jude delivers a film that astutely references history and art as it weaves along a journey that ultimately delivers a biting bit of satirical commentary.
Review: Transparent, I am (2020)
While the realities that the film deal with are harsh and often painful, with Muraoka indulging in a self-reflection that is often brutally raw…
Cool Moves: Minotaur (2020)
Minotaur is a film which evacuates your possible knowledge of it. There are moments, places … but where, when, under what circumstance? It’s best not to read anything about this work before watching it.
