Diagonale review: Girls & Gods (2025)
There are way too many sous-chefs in Inna Shevchenko’s busy kitchen.
Festivals
Diagonale review: Our Time Will Come (2025)
“Our Time Will Come” is an unpolished and honest documentary.
Diagonale review: Soldier Monika (2024)
Paul Poet embraces Monika’s contradictions, hoping that she will do so as well.
Diagonale review: Dear Beautiful Beloved (2024)
Rechinsky deals with three aspects of war consequences
Diagonale review: Mothers (2025)
A warm but uninventive account of what it means to be a mother
Diagonale review: Generations of Images (2025)
“Generations of Images” might be prone to unnecessary repetitions at certain points, but it is never boring
Vilnius review: O (2024)
“O” is undeniably one of the best shorts of 2024
Vilnius review: Sujip (2024)
Sujip is a solid drama with a finely tuned runtime
Vilnius review: Past The Hill of Napoleon’s Hat (2025)
Non-verbal communication prevails, and it tells more than a thousand words.
