Review: Young Hearts (2021)
One thing is certain: no one in their right mind would ever want to go back to their teen years and live through them again.
Marko Stojiljković
About Marko Stojiljković
Posts by Marko Stojiljković:
Review: One Thousand and One Attempts to Be an Ocean (2021)
Wang’s directing, essentially composed of editing short clips together in the rhythmical fashion, is apt for a piece of video-art
Review: Strange Object (2021)
Miranda Pennell’s short documentary Strange Object, which premiered recently at Berlinale Shorts, is deliberately constructed that way so the viewer has to walk the same route of exploration as the filmmaker did previously
Review: Vadim on a Walk (2021)
We meet our titular protagonist while he’s sitting in a transparent square space, picking up the courage to step out of it and explore the unknown world that lays in front of his eyes.
Review: A Cop Movie (2021)
The play with different styles and formats of footage shot by the newcomer Emiliano Villanueva are coded in a clever, not too obvious manner, while Asuad’s award-winning editing is a thing to marvel.
Review: One Hundred Steps (2021)
Bob Quinn’s work ‘Atlantean’ is the starting point of Bárbara Wagner’s and Benjamin de Burca’s eighth joined short film ‘One Hundred Steps’ and is also referenced directly in it at one point
Review: A Love Song in Spanish (2021)
The family of the filmmaker Ana Elena Tejera lived in close relations to the dictatorship in Panama in the 80s, which was mirrored in the house of her grandparents.
Berlinale Review: For Lucio (2021)
Regarding the beautifully composed and masterfully edited archival footage, the stand-out is a prolonged silent movie from the iconic Mille Miglia car race.
Review: Window (2021)
A snapshot photo of the stained glass window from Edgar Jorge Baralt’s childhood home in Caracas elicits memories in his short documentary video essay Window (Ventana) that has just premiered at Berlinale Shorts competition.
