IFFR Review: Manifesto (2021)
Manifesto acts and feels like a documentary thanks to the filmmaker’s specific solutions, like the alternation between the hand-held camerawork and the static shots from afar and from above
Marko Stojiljković
About Marko Stojiljković
Posts by Marko Stojiljković:
Review: Flowers Blooming in Our Throats (2020)
‘Flowers Blooming in Our Throats’ is composed entirely of short takes, usually in close-up, of people whose faces we rarely see, performing repetitive actions
Review: For the Sake of Calmness (2020)
With medical sciences and psychology progressing, it became easier to describe and define both PMS and PMDD, which lead to the path of trying to respond to them adequately.
Review: Weekend (2020)
Filmed in just two static shots by a DSLR camera, ‘Weekend’ speaks volumes about the death penalty from a rarely employed angle
Review: Now, Daphne (2019)
The beauty of imagery does its best to play with unusual, neon-like light and with the softness of the image itself that seems organic, almost analogue.
Review: Filipiñana (2020)
Manuel shows the nature of oppression in a discreet way, but firmly and constantly.
Review: Benjamin, Benny, Ben (2020)
The interview the titular character is preparing for is so important that he can focus only on that, like an actor trying to improvize and then to memorize the text
Review: Mthunzi (2019)
Malebogo squeezes the maximum out of a relatively common and easily imaginable situation, asking all the right question by the means of the thrilling plot
Review: 22:47 Line 34 (2020)
Public transportation is the place where different demographic groups come into a short, but close contact with one another
