Review: Corporate Accountability (2020)
Perel’s tone is not unemotional, but it can be considered a bit flat, which is in accordance with the factual tone of the book: it mainly consists of pure facts devoid of any kind of personal interpretation.
Marko Stojiljković
About Marko Stojiljković
Posts by Marko Stojiljković:
Review: Benevolent Ba (2020)
Benevolent Ba is certainly a film that is extremely fun to watch, deliciously tense and absurd at the same time. The script economy is marvelous and the characters, even those who could serve as passers-by, are developed to a certain extent over the film’s brief runtime of just nine minutes.
Review: BBQ (2020)
Even without the musical component, BBQ works perfectly as the smoothest possible blend between the teenage social drama and the dystopian science fiction, as the writer-director Jeanne Mayer hits the right note about the hopelessness that marks the lives of the contemporary youth.
Review: We Have Boots (2020)
For Evans Chan, the filmmaker based in Hong Kong and New York, his native city serves as the bottomless well of inspiration for his fiction and documentary work. Throughout his career, from To Liv(e) (1991) on, there is a line of chronicling the changes in the Hong Kong society, stuck between two imperial forces, the British and the Chinese.
Review: The Undertaker (2018)
The Undertaker is a filmed choreographed performance on the streets of Philadelphia, in Fairmount Park and in the historical Laurel Hill Cemetery and it serves as a strong anti-war statement.
Review: Stop Nineteen (2020)
Stop Nineteen is a stellar example of a clear and simple (but not simplified at all) approach serving its purpose to perfection in a very compact format of just over 8 minutes.
Review: Funfair (2019)
For his new film, Funfair, currently reaping awards on the festival circuit, Mazaheri has once again joined forces with his Retouche star Sonia Sanjari in order to tackle….
Influence (2020)
Neille and Poplak’s plot deftly jumps between the different locations and timelines, creating the feeling of a nauseating roller coaster ride through the reality of the post-truth world, where a created narrative directs the reality and not the other way around.
Review: Flint (2020)
Detailed and chronologically clear in its scope, Flint could be sub-titled “Anatomy of a Sh*tstorm”.
