Review: Flint (2020)
Detailed and chronologically clear in its scope, Flint could be sub-titled “Anatomy of a Sh*tstorm”.
Marko Stojiljković
About Marko Stojiljković
Posts by Marko Stojiljković:
Review: Aswang (2019)
All things considered, Aswang is a solid debut and a film with its heart at the right place that could do well at the human rights type of the film festivals.
Review: The Verdict in the Case of K. (2020)
The Verdict… has several strong points, such as portraying of the often neglected milieu of the Viennese Turkish community, their mechanisms of co-operation in the world that they often experience as foreign.
Review: For the Living (2019)
Fonsny’s film, dedicated to Adami and other immigrant victims of the Belgian police brutality, is a deft and coherent composition of its elements
Review: White Eye (2019)
Is a stolen bicycle that propels the story of the injustice in society and offers some much needed reflection to the characters and the viewers a gimmick, an homage to Vittorio de Sica’s seminal film, or an eternal metaphor?
Review: Don’t Touch Anything (2019)
The rigidity of the structures imposed can backfire in the unexpected, yet devastating ways.
Review: Nine Shots (2020)
On the visual level, the film works quite well, taking the warmth of the analogue cinematography handled by Kao Tzu Hao
Review: Tide (2019)
Sometimes the destination remains unknown, but the journey is all that matters
Review: Mare Nostrum (2020)
Dimitris Anagnostou’s short film Mare Nostrum would be a very ambitious piece of cinema, even if it were not a first-time effort.
