Review: In Between (2019), by Samir Karahoda
First thing we should know about Kosovo is that the Europe’s youngest country has also the highest population growth rate on the continent, so the families with five or more children are quite common.
Marko Stojiljković
About Marko Stojiljković
Posts by Marko Stojiljković:
Review: Reconstructing Utøya (2018), by Carl Javér
How could a person reconstruct or even understand what happened on the Norwegian island of Utøya on 22 July 2011? The facts state that the terrorist with far-right leanings Andres Behring Breivik
Review: A Dog Called Money (2019), by Seamus Murphy
What is creativity? How does an idea transform itself into a finished work of art? How do you define inspiration? And how about the creative process? There is no formula, but there are numerous examples
Review: Patision Avenue
Thanasis Neofotistos’ Clermon-Ferrand multiple winner and EFA short film candidate Patision Avenue which world-premiered in Venice in the short film competition, opens with a black screen, only with the sound…
Review: Routine (2018), by Bekim Guri
Alban Sylejmani lives his street life in the town of Ferizaj in Kosovo and his routine lack of food and shelter and being regularly getting beaten up either by his drunken father or his peers, is interrupted only through the visits by the documentary filmmaker Bekim Guri. The only thing that…
Review: Deer Boy (2017), by Katarzyna Gondek
Katarzyna Gondek’s masterful fantastic drama with the elements of toned-down body horror Deer Boy opens with a drone shot of a herd of titular animals set against an ominous music score in which…
Review: Fence (2018), by Lendita Zeqiraj
A house in the suburbs of Prishtina, the capital of Kosovo, is powered by feminine dynamics. The mood is cherfull and festive, but it is ocasionally turned into bickering and fight. Young Genti (Arti Lokaj) cannot seem to find his place in the house. All he wants for himself is a puppy…
