Review: Bruce Lee and the Outlaw (2018), by Joost Vandeburg
The Dutch photographer Joost Vandeburg went to Bucharest with no particular plan, simply photographing the streets with people and animals inhabiting them.
Marko Stojiljković
About Marko Stojiljković
Posts by Marko Stojiljković:
Review: The Camel Boy
As we find out from the title card just before the ending credits in Chabname Zariab’s film The Camel Boy, a certain number of children in the Middle East is abducted every year from their usually poor families for the purpose of serving as jockeys in illegal camel races in the desert of the United […]
Review: Session no. 78 (2018), by Bridget O’Driscoll
A man played by Cédric Villaneve wakes up and starts his daily routine of household chores in his small apartment. The work is accompanied by English lessons he listens on the tapes played on cassette deck.
Review: The Last Well (2017), by Filip Filković
The year is 2037. The fresh water supplies in Europe are almost extinct. The family of desperados is going to the owner of the last well to obtain the water for their daughter who is allergic to the processed water
Review: Delectable You (2017), by Axel Courtière
Oscar Mongout (Sylvaine Dieuaide) is a gourmet cannibal that attracts, kills and eats pretty women. He is intrigued by, but also afraid of, his next-door neighbour Melle Carotte (Lou de Laage)
Review: Zingerle (2019), by Eric Marcus Weglehner
Guido Zingerle, nicknamed “The Monster of Tyrol” was a serial sex offender, rapist and killer that operated on the both sides of Austrian-Italian border in the late 40’s until his arrest in August 1950.
Review: Remapping the Origins (2018), by Johannes Gierlinger
The city of Bialystok, located in the North-Eastern part of Poland, today seems like a regular Polish provincial town, much affected by the sharp right turn towards populism of the national politics
Igor Drljača: I had to wait for the right story to shoot a documentary
Igor Drljača was born in Sarajevo, Bosnia & Herzegovina in 1983 while it was still part of former Yugoslavia. After the war broke out, he left Sarajevo with his family in the summer of 1992, and spent the next year moving between Croatia, Austria and Serbia, before eventually settling in Toronto in 1993. His film […]
Review: The Stone Speakers (2018), by Igor Drljača
Even 25 years upon its end, the first thing Bosnia and Herzegovina would be associated with is the brutal civil war in the 90s that still affects its population.
