Review: Flee (2021)
‘Flee’ is an extraordinary piece of filmmaking and a deeply sincere and moving complex story told in a respectful and astonishing manner.
Marko Stojiljković
About Marko Stojiljković
Posts by Marko Stojiljković:
Review: Life of Crime 1984-2020 (2021)
Life of Crime 1984-2020 premiered at last year’s edition of Venice and had a brief festival tour before landing on HBO.
IFFR review: Footnote (2022)
For the purpose of the documentary Footnote, it seems that Yang Zhengfan has picked up a neutral position in order to understand the very nature of the police work and to contribute to the debate with his findings.
IFFR Review: Géza (2022)
Contrary to the protagonist’s elusive spirit, Géza is a very firm film, and that very contrast is beautiful.
An American Prayer (2021) by Nusrat Durrani
All the characters featured in the film share their own experiences growing up and living as “the others” in America that is not the most welcoming and tolerant place, and their visions about how to make things better.
Review: A River Runs, Turns, Erases, Replaces (2021)
At first, there is no river. Heck, there is no sound either. All we get to see is a surveillance-type of camera footage, observing one of the downtown streets.
Review: Looking for Horses (2021)
Key thing for Looking for Horses are its subtle imperfections that found their way into the film: some hasty camera movements, some shots from way too close-up, the loss of focus.
Review: Museum of the Revolution (2021)
Socialist Federative Republic of Yugoslavia dissolved in a bloody war in the 90s even before it got the chance to get rounded-up, finished as a country. Only memories in the minds of the people old enough to remember it and a number of abstract, modernist monuments are left to remind us that it once existed. […]
Review: The Coup d’État Factory (2021)
Coup d’états today are not the same as they were 50 or even 30 years ago. The social landscape changed a lot, and nowadays it is not enough to drive the army on the streets to seize power. In our media-dominated landscape, those scenes look plain ugly and brutal. However, it does not mean that […]
