Tragedy segues into gentrification in ‘This Means More’, a sobering reflection on the effects of 1989s Hillsborough Disaster
As the film begins to explore the Hillsborough disaster itself…
August 2020
Review: Cockpera (2020)
The thing Gugić nails in her film is the connection between the theatrics of a cock fight, opera and cocky behavior of humans. We have a principal cast of a tenor and a baritone as the fighters and a soprano as “the prize” they are fighting for.
Review: Testfilm #1 (2020)
Testfilm #1 is an attempt at documenting the project and its related testings that people from Telcosystems undertook.
Review: Consuming Contemporary (2019)
Observation is intertwined with interviews sometimes masked as over-heard conversations in order to provide the context for particular situations
Review: Nobody Said I Have to Love You (2019)
Nobody Said I Have to Love You looks and acts like an advanced student film, which it is, realized completely in the production of Ljubljana Academy of Theatre, Radio, Film and Television (ARGFT).
Review: My Universe (2020)
A lot of filmmaker’s compassion can be read from the way the director follows her protagonist in different daily routines from up close.
Review: Dummy (2020)
Laurynas Bareisa shows to which extent the human ability to show empathy, or to be generally shocked by atrocities has weakened.
Review: One of Us (2020)
Having the unpleasant, but highly necessary topic in mind, and the blend of filmmaking craft and ethics by Gavran, One of Us has to be considered as an exceptionally important piece of documentary filmmaking.
Review: The Vibrant Village (2019)
Gender roles, social issues and the mighty discrepancy between the small catholic community and its biggest source of income, it all comes together in a skillfully rounded short documentary.
