Locarno review: Late Harvest (2025)
The filmmaker experimented with different angles and frames to present …
Pardi di Domani
Locarno review: The Uniformed (2025)
“The Uniformed” serves as a portrait of both a massive, rigid system and an individual who found himself inside it.
Locarno review: Poluotok (2025)
The unruly, wild, colourful and absurd world of cruising is presented as a dark and forbidding pleasure.
Locarno review: Slet 1988 (2025)
“Slet 1988” is a work of cinematic art where archival and newly filmed footage blend…
Locarno review: Les Dieux (2025)
There are striking visual ideas that defy pure logic
Locarno review: Goats (2025)
Gaćina uses the aesthetics of the long shots from a distance to set the stage
Locarno review: I’m Not Sure (2025)
The helmer’s detached, impersonal tone finds itself in contrast with the deeply subjective experience
Locarno review: Lost Touch (2025)
Past, present and future collide and, for a fleeting moment, become one.
Locarno review: Blind ins Auge (2025)
The directors use authentic footage from the violent events to reconstruct narratives
