Review: Goodbye, Jérôme (2021)
Jérôme’s and Maryline’s Heaven is like no other: far from idyllic, it is actually exciting. The same could be said for Chloé Farr’s, Gabrielle Selnet’s and Adam Sillard’s little movie.
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Review: Summer of Soul (…Or, When the Revolution Could Not Be Televised) (2021)
Questlove’s approach is wider than relegating the material simply to the grade of a forgotten, then found “candy”, as he tries to explore the complete context of the event and how it never made it to the level of the American collective memory.
Review: Inheritance (2021)
‘Inheritance’ carries the weight of its symbolism with considerable elegance
Review: A Glitch in the Matrix (2021)
Ascher approaches the topic in a pretty standardized American way, relying on the interviews with the selection of the film’s subjects, mostly fans of the theory.
Review: The Truffle Hunters (2020)
Stylistically and technically, The Truffle Hunters is mostly a tasteful and well-polished film, with some exceptional camerawork …
Review: Faya Dayi (2021)
Along with Beshir’s artistry, one of the film’s key assets is its filming location, the historical city of Harar in Eastern Ethiopia.
Review: The Criminals (2020)
Serhat Karaaslan creates a unique atmosphere and walks seamlessly through the genres, employing just the right solutions in just the right places.
Review: Ghost Dogs (2021)
Ghost Dogs is a film that banks on its spooky atmosphere and deft visual storytelling with hardly any dialogue involved.
Review: Dick Johnson Is Dead (2020)
Dick Johnson, the protagonist and the subject of Kirsten Johnson’s documentary is not dead yet, but he is heading down on a one-way road to be so in Dick Johnson Is Dead.
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