Review: All-In (2021)
All-In has some of the qualities of a good fiction cinema, while staying faithful to the documentary form
All-In has some of the qualities of a good fiction cinema, while staying faithful to the documentary form
Manskiy started filming Gorbachev at his home, “given” to him in the form of a life-long rentless lease by the presidents of the former Soviet republics at the moment of the collapse of the communist empire
Gorlova lets herself and her colleagues Simon Mozgovyi and Olha Zhurba go wild in the editing department, spinning the film into an extremely moody, experimental direction while playing with the added “visual noise”.
Along with Beshir’s artistry, one of the film’s key assets is its filming location, the historical city of Harar in Eastern Ethiopia.
The Canadian film writer, producer and festival programmer Kier-La Janisse tries to put her arms around everything connected to folk-horror in her very ambitious feature-length directorial debut ‘Woodlands Dark and Days Bewitched: A History of Folk Horror’ that clocks over three hours and features a legion of film and literature scholars, journalists and filmmakers from all over the world.
Atlético was the first Brazilian club to take a European tour after the World War II and to bring the Brazilian football to Europe and the European football to Brazil.
We need to “get” and “be gotten”, to “receive” and be “received”.
A short, hormonally charged drama ‘Armadila’ written and directed by Gorana Jovanović, opens with a close-up on a teen girl’s face, while she is listening to an old, somewhat forgotten new wave hit on her phone.
Santiago Bonilla opens his short documentary ‘Parallel 28’ with almost abstract images of white textures that could pass as mountains covered by snow or the sea foam driven by waves…
Enter your name, email address and a message.