Review: Lemongrass Girl (2021)
Working with the smart, low-key script written by Anocha Suwichakornpong, Pom Bunsermvicha shows the absurdity of the lemongrass girl ritual in an unpretentious, almost casual manner.
Marko Stojiljković
About Marko Stojiljković
Posts by Marko Stojiljković:
Review: Happy Valley (2020)
Looking at the scenes from Simon Liu’s newest work, the short experimental documentary Happy Valley, the viewer might ask themselves a rhetorical question about the filmmaker’s ironic intentions.
IFFR Review: earthearthearth (2021)
The newest experimental short film by Daïchi Saïto, earthearthearth, premiering at IFFR’s Ammodo Tiger Short Competition can be regarded as a journey from the realm of orientation to the realm of meditation.
Review: Tellurian Drama (2020)
The line between facts and fiction has been thoroughly blurred in Riar Rizaldi’s short film Tellurian Drama that is centred around an abandoned radio station in Indonesia, built in the late colonial times and ransacked and left during the World War Two.
Review: The Hole’s Journey (2021)
A simple and smart piece of artistic activism, cleverly envisioned to mask its political commentary with benign intentions and absurdity gets stranded by different circumstances, personal and political, local, international and global.
IFFR Review: Manifesto (2021)
Manifesto acts and feels like a documentary thanks to the filmmaker’s specific solutions, like the alternation between the hand-held camerawork and the static shots from afar and from above
Review: Flowers Blooming in Our Throats (2020)
‘Flowers Blooming in Our Throats’ is composed entirely of short takes, usually in close-up, of people whose faces we rarely see, performing repetitive actions
Review: For the Sake of Calmness (2020)
With medical sciences and psychology progressing, it became easier to describe and define both PMS and PMDD, which lead to the path of trying to respond to them adequately.
Review: Weekend (2020)
Filmed in just two static shots by a DSLR camera, ‘Weekend’ speaks volumes about the death penalty from a rarely employed angle
