Review: Don’t Touch Anything (2019)
The rigidity of the structures imposed can backfire in the unexpected, yet devastating ways.
The rigidity of the structures imposed can backfire in the unexpected, yet devastating ways.
On the visual level, the film works quite well, taking the warmth of the analogue cinematography handled by Kao Tzu Hao
Sometimes the destination remains unknown, but the journey is all that matters
Dimitris Anagnostou’s short film Mare Nostrum would be a very ambitious piece of cinema, even if it were not a first-time effort.
Macri’s Pond premiered last October at Chicago International Film Festival and has earned the nomination for the Hugo award in the Best Short category.
Judging by its poster section, Nightmares, the programming task has been achieved with flying colours.
The key trait for Blackbirds and Séméria’s approach to the subject of the birth of a young love is gentleness.
A lot of things come from the family environment: attitudes, behaviour, even traumatic experiences.
In teenagers’ world, silence is often the most unpleasant thing in the world, so the conversation has to go on, even in a confined space like a car that glides down the road
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