Nicolaas Schmidt: “In First Time, the negotiated subject is at the same time the method of work”
The film refers to an everyday experience: inwardness and minimal „privacy“ amid public space by simply putting on headphones with music.
Marina D. Richter
About Marina D. Richter
Posts by Marina D. Richter:
Diana Cam Van Nguyen: “We had to invent something different”
My father knew that I was making a film about him, but he was only aware of the letters and my original idea
Manolis Mavris: “Even the queen is powerless in the context of the beehive”
In its core “Brutalia, The Days of Labor” is about the solitude, and about how individuals’ identity is sacrificed for the sake of the common good.
Cannes review: Absence (2021)
‘Absence’ is a type of film that will click with the audience regardless of their geographical background.
Cannes review: The Right Words (2021)
Every kid’s worst nightmare is having their secrets exposed live on social networks in cheerful mockery…
Cannes review: North Pole (2021)
Marija Apchevksa’s drama ‘North Pole’ is a film that brings out the memories of the coming-of-age hell.
Cannes review: Anxious Body (2021)
Mizuhiri’s charmingly constructed world of inner search for answers about our immediate environment is full of shapes and misshapes.
Cannes review: In the Soil (2021)
More a psychological study than straightforward genre piece, ‘In The Soil’ is creepily observant of unsettling changes in a small household of two, or rather – outside its doors, in the backyard.
Cannes review: Aya (2021)
‘Aya’ is not only a film that points out at the consequences of climat change. This is also a coming-of-age story about a girl whose life is about to change drastically on another level.
