In talk with Alessia Gasparella & Tom Kiesecoms
The festivals are so far apart that there is no sense of competitivness.
Why shouldn’t we be sharing the resources then, and collaborate?
Marina D. Richter
About Marina D. Richter
Posts by Marina D. Richter:
Sarajevo review: Between Revolutions (2023)
“Between Revolutions” is by no means a mockumentary due to its serious, non-comedic tone, but it can be qualified as a ‘faux documentary’.
Locarno review: Full Night (2023)
Coubia stays faithful to the analogue photography in her fourth short
Locarno review: Last Night (2023)
“Last Night” is both a powerful and empowering drama
Locarno review: Making Babies (2023)
Pepped with humour, Boulianne’s script is overall articulate and smart, built on strong dialogues and real life situations.
Locarno review: Scorched Earth (2023)
“Scorched Earth” is a loud wake up call for people who don’t consider violence their business
Locarno review: Eating Papaw On The Seashore (2022)
Papaw, another term for papaya that is also known as a “fruit of love” becomes a symbol of coming-of-age (…)
Locarno review: A Study of Empathy (2023)
The story of “A Study of Empathy” is peppered with black humour, irony and metaphors …
Locarno review: Paradise Europe (2023)
Co-writers/ co-directors Leandro Goddinho & Paulo Menezes paint a de-romanticized picture of Berlin in their short
