Cyril Aris: “In general, Lebanese people find a lot of humor in tragedies”
Everything I knew was gone, and it was so violent that I decided to take the camera and just document.
Everything I knew was gone, and it was so violent that I decided to take the camera and just document.
We usually think of the family as a place of love and security, but (…)
There was always a continuity between the power and the Church (…)
Curious to understand the popularity of a priest who, despite of a life full of controversy, became a cult figure…
Loneliness comes with old age, and regardless of a country, continent, culture, there will always be people leaning over their window/ balconies
Although in the background, the war is omnipresent, and the voice is given to the young generation…
In the opening scene I’ve tried to create a very industrial and mechanical sonic world.
The images are soft and warm, presenting people as natural-born survivors …
“Basri & Salma In A Never-Ending Comedy” is a film that conquers the audience by its effortless way…
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