Dresden review: Skinned (2022)
Previously involved in a number of TV series as a director, the French helmer dived into his own psyche
Marina D. Richter
About Marina D. Richter
Posts by Marina D. Richter:
Dresden review: Municipal Relaxation Module (2022)
Ken thinks that benches uninspiredly put in parks, on playgrounds and along esplanades serve no logical purpose
Sundance review: And The King Said, What a Fantastic Machine (2023)
“And The King Said What A Fantastic Machine” is not a boring history lesson with talking heads explaining the world.
In talk with Inna Sahakyan: “Aurora’s story was very unique”
We spoke to the director right before IDFA. Aurora’s Sunrise currently screens at Tallinn Black Nights, where she was also in attendance.
Review: Marx Can Wait (2021)
Marx can really wait, while Camillo Bellocchio could not and his brother Marco, the terrific filmmaker, cannot any more.
Sarajevo review: We…, Composition (2022)
The mundane life seen from behind the counter of a bakery is shown as a succession of fast-pacing scanned photographs and short videos.
Sarajevo review: Babajanja (2022)
‘Babajanja’ is a heartfelt short documentary that borrows horror elements to paint a picture of otherness, pointing out at the obvious fact that some people do not stand a chance of being accepted for what they are (…)
Sarajevo review: Bigger Than Trauma (2022)
The film is done with a lot of emotional intelligence, close enough to the women and yet respectfully distanced to give them space to expess how they feel about their traumatic past
Sarajevo review: Paying a Visit to Fortuna (2021)
The Hungarian director Mátyás Kálmán has found a smooth way to document a life of two people who resisted the temptation of ruining the biggest asset they have – each other’s love, despite all odds.
