Sarajevo review: Paying a Visit to Fortuna (2021)
The Hungarian director Mátyás Kálmán has found a smooth way to document a life of two people who resisted the temptation of ruining the biggest asset they have – each other’s love, despite all odds.
The Hungarian director Mátyás Kálmán has found a smooth way to document a life of two people who resisted the temptation of ruining the biggest asset they have – each other’s love, despite all odds.
Private video footage and the boy’s videos shot on the cell phone stand in contrast with Koridze’s sober, yet gentle eye
‘Diary of a Bride of Christ’ is an interesting, although a bit naive take on nuns and their views
The now and then share one thing in common – a sinister, depressing look of a place that went through different stages of industrialization, eating away the health and joy of its inhabitants.
Ana Nedeljković and Nikola Majdak Jr. return to the topic of the individuality loss and repetetivness in life previously explored in …
‘Diamond Kid’ is a meditation on human urge to control, or readiness to be controlled
Traditionally good in storyline suspense building, the Greek director Thanasis Neofotistos is back on the festival scene with his dramedy ‘AirHostess-737’, which screenes in Locarno’s Pardi di Domani international competition program.
‘Pillow Face’ is one of the most striking movies about the merciless phase between childhood and the total explosion of hormones.
There is no victimizing involved in the script the director co-wrote with Sofia Lo. The narrative turns to something else instead – the profitable side of the ‘purification business’.
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