Review: The Van (2019)
Erenik Beqiri wrote a sharp as a knife script about a family of two men who are ready to do anything for one another, but acting on their own impulse, they are actually doing a disservice to each other.
Marina D. Richter
About Marina D. Richter
Posts by Marina D. Richter:
Review: Elder’s Corner (2020)
Elder’s Corner, a documentary by London-born Nigerian Siji Awoyinka, not only gathers many of the surviving greats of Nigerian music to re-record their lost songs, but weaves their individual stories within the broader picture of Nigeria as it raced through the second half of the twentieth century.
Austrian Music Video Award goes to Rupert Höller
The winner of the Austrian Music Video Award -is Rupert Höller for his black & white, 4 minutes long video “Über Nacht” for the band Oehl
Review: Rave (2019)
In his debut, Johannes Magnus Aule turns Beethovens “Symphony N°9” into a wild drug-fuelled rave party, with an endless wave of arms swaying to its rythm.
Review: Q’s Barbershop (2019)
Q’s Barbershop is a chamber piece whose story evolves between mirrors and walls painted bright red. Each haircut brings a unique story forward, with Qasim as a moderator who never loses a smile on his face.
Review: Anbessa (2019)
Anbessa is a story about Asaif, a boy who lives with his mother in a mud house amidst the growing block of houses in the expanding suburb of Addis Ababa.
Review: Bloody Nose, Empty Pockets (2020)
A Las Vegas bar with the nostalgic name “Roaring 20s” is about to close its doors permanently, and the owner is throwing a closing party for her regulars.
Review: Running on Empty (2020)
Running on Empty is an intelligent and non-judgmental observational documentary, swiftly edited by Roland Stöttinger to a (figuratively speaking) circular narrative.
Review: Saudi Runaway (2020)
Susanne Regina Meures’ Saudi Runway opens with thoughts expressed by a young Saudi woman Muna who’s asking herself if Allah really wanted women to live like second-degree humans who should have no opinion.
