Interview with Jaydon Martin: “As a filmmaker, I never want to get into that territory of being a moralist”
“Flathead” points out at people whose cards were dealt differently than ours.
Interviews
In talk with Alessia Gasparella & Tom Kiesecoms
The festivals are so far apart that there is no sense of competitivness.
Why shouldn’t we be sharing the resources then, and collaborate?
Cyril Aris: “In general, Lebanese people find a lot of humor in tragedies”
Everything I knew was gone, and it was so violent that I decided to take the camera and just document.
Emilie Brisavoine: “I was switching between Emilie the director, and Emilie the person”
We usually think of the family as a place of love and security, but (…)
Alexandru Solomon: “We are fooled into believing that the 20th century history was interrupted by some major cuts”
There was always a continuity between the power and the Church (…)
Interview with Pol de Plecker: “For me, every single scene, colour and sound has a symbolic meaning”
In the opening scene I’ve tried to create a very industrial and mechanical sonic world.
Lubna Playoust: “Both acting and directing move me, and I feel home there.”
I wasn’t checking on the footage during the shooting and I’ve got to say that every time I was watching it, I discovered very different layers.
Daniel Hadenius-Ebner: “Homecoming to the MuseumsQuarter was a big step for us”
Right before the interview, we asked Daniel Hadenius-Ebner to present himself in his own words to those few people in the international short film circuit who don’t know much about him, and here is what he wrote: Daniel Hadenius-Ebner (42), born in Vorarlberg, married in Sweden, forever connected to Vienna. Loves silly movies and experimental […]
In talk with the directors of “Thorn”, André Guiomar and Mya Kaplan: “We already had a draft of the story on our first day of work”
We understood that our backgrounds were not so dissimilar, and that we had something in common
