Barbara Paz: “Everything was born from the theater of the artists without a stage”
We all sacrifice ourselves at some point in life, and to give up life will undoubtedly lead us to the purgatory, and to the end time.
September 2021
Review: Techno, Mama (2021)
‘Techno, Mama’ is a spectacle on almost every level of filmmaking and a wild ride through the territory of the under-privileged coming of age that feels both painfully familiar and strikingly fresh.
Review: 4 AM (2021)
The whole film consists of longer, dynamic shots in black and white, carefully edited to paint the picture of chaos in detail.
Review: Don’t Get Too Comfortable (2021)
From the opening on, it is clear that Don’t Get Too Comfortable is quite a technical piece of cinema that combines the documentary content with experimental execution.
Manlio Gomarasca: “Joe D’Amato was a one-man show”
Italian helmer Manlio Gomarasca dedicated his life to the genre cinema not just as the founder and editor-in-chief of the publication ‘Noturno Cinema’, but also as the festival advisor, programmer, curator and the author of books such as The little film library of horrors and Dario Argento: the image of fear. After ten shorts and […]
Django & Django – Sergio Corbucci Unchained
Forever in Leone’s shadow, Corbucci however made a series of distinctive and critically lauded Spaghetti Westerns
Review: The Hole (2021)
The story, such as it is, proceeds like a documentary. We just follow, usually from a distance, what people do.
Review: Trenches (2021)
The filmmaker insists that this forgotten war on the eastern reaches of Europe is a throwback to the kind of atritional warfare of position which was supposed to never happen again.
Hallelujah: Leonard Cohen, a Journey, a Song
Ultimately the film succeeds in reclaiming the song and the context in which it was written. It feels designed to introduce people to a world of serious thought that created a popular sensation.
